In a letter to bookshops this month, Jacana Media announced a parting of ways with maverick publisher Melinda Ferguson.
‘After eight years of Jacana Media’s incubation of her eponymous imprint and catalogue of titles – among them award-winners and bestsellers – Melinda Ferguson will, by mutual agreement, continue to publish in an independent capacity and launch a new venture,’ wrote Shay Heydenrych.
According to Jacana, Ferguson will announce her plans for the future in early February. The MF Books stable has gone from strength to strength, with recent successes including Letshego Zulu’s memoir Choose to Live and Eva Mazza runaway bestseller Sex, Lies and Stellenbosch.
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The Christmas season held no surprises when it came to sales through the tills, with end-of-year staples such as Diary of a Wimpy Kid, Deon Meyer, Lee Child, Malcolm Gladwell, Wilbur Smith, John Grisham, Robin Sharma, John Platter’s Wine Guide, Guinness World Records, Zapiro , David Walliams and Jamie Oliver all putting in an appearance on the Top 20.
The Subtle Art of Not Giving a F*ck continued its dominance of the charts, perhaps indicating the settling of a permanent mood in the market. Marita van der Vyver, Jojo Moyes and Lucinda Riley all made welcome returns to the bestseller list, while Heather Morris repeated the success of the previous year’s Tattooist of Auschwitz with her new book, Cilka’s Journey.
Jeremy Daniel’s Siya Kolisi did well in the wake of World Cup victory, while Stellenbosch Mafia maintained its bestseller status through the holidays. Six South African titles made it to December top 20 this year.
** Statistics from Bookscan SA (excludes dictionaries and study guides)
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is launching the new Top Class Digital Skills textbooks. We sat down with Mauritz Kotze, the author of these new textbooks.
Please tell us a bit about yourself: I taught digital skills and coding at a primary school – children from as young as Grade R, all the way up to Grade 7. I started to notice that my learners had very little knowledge of digital skills. I asked my colleagues at other schools about their experiences, and discovered that most children were simply given an educational game (or something similar) as their IT lesson. I saw the potential to enhance learning in this area so I taught children to make the game before they could play it. My motto was born: “We don’t PLAY games, We MAKE games!” Through making games, children acquire digital skills, solve problems, develop critical thinking skills and enhance specific maths and language skills. Plus, the lessons are developed and designed with Bloom’s Taxonomy in mind. This was such an exciting venture that, at the end of 2016, I resigned from teaching and began working full time for myself. I started SA SchoolCoding, where I spent my days teaching children digital skills, coding, and robotics. Why do you believe it is important for children to learn digital skills? In a world where technology is a part of our everyday lives, digital skills are essential if people want to participate fully in society. Think about all of the so-called ‘digital skills’ that you need to live your life … many of these are not even skills but behaviours, habits and a way to understand the world. Digital skills also include computational thinking, coding, 21st century skills, innovation and other soft skills. All sectors of our economy are being, and will be impacted by the fourth Industrial Revolution (4IR). Learners need to be exposed from an early age to digital skills, general computer skills, coding and robotics. These skills will give our learners the tools they need to excel nationally and internationally. These skills have to form part of the school curriculum from as early as Grade R.
Please tell us a bit about yourself: I taught digital skills and coding at a primary school – children from as young as Grade R, all the way up to Grade 7. I started to notice that my learners had very little knowledge of digital skills. I asked my colleagues at other schools about their experiences, and discovered that most children were simply given an educational game (or something similar) as their IT lesson. I saw the potential to enhance learning in this area so I taught children to make the game before they could play it. My motto was born: “We don’t PLAY games, We MAKE games!” Through making games, children acquire digital skills, solve problems, develop critical thinking skills and enhance specific maths and language skills. Plus, the lessons are developed and designed with Bloom’s Taxonomy in mind. This was such an exciting venture that, at the end of 2016, I resigned from teaching and began working full time for myself. I started SA SchoolCoding, where I spent my days teaching children digital skills, coding, and robotics. Why do you believe it is important for children to learn digital skills? In a world where technology is a part of our everyday lives, digital skills are essential if people want to participate fully in society. Think about all of the so-called ‘digital skills’ that you need to live your life … many of these are not even skills but behaviours, habits and a way to understand the world. Digital skills also include computational thinking, coding, 21st century skills, innovation and other soft skills. All sectors of our economy are being, and will be impacted by the fourth Industrial Revolution (4IR). Learners need to be exposed from an early age to digital skills, general computer skills, coding and robotics. These skills will give our learners the tools they need to excel nationally and internationally. These skills have to form part of the school curriculum from as early as Grade R.
Please tell us a bit about the new ‘Coding and Robotics’ subject that the Department of Basic Education plans on introducing: SA SchoolCoding was teaching coding and robotics to Grade 8 and 9 learners at Oude Molen High School, where members from the DBE and WCED visited. After seeing how successful SA SchoolCoding’s Grade 8 and 9 programme was at Oude Molen High School, the DBE invited us to sit in on an advisory panel, and to assist with incorporating coding and robotics into the GET curriculum. The DBE has quite a few details to iron out, but they have assured us that the current school day will not be lengthened, nor will there be any loss of available teaching time as set out by CAPS. Rather, the proposed digital skills curriculum will enhance what we currently teach. As part of the announcement that a digital skills curriculum, which incorporates coding and robotics, will be compulsory in GET from Grade R to Grade 9, multiple coding and robotics curricula will be piloted with Grade 1 to 3 learners, in selected schools across the country in 2020. Since the proposed curriculum is only in draft format, it will be piloted and evaluated before it can be made policy. However, this should not deter schools from implementing digital skills as soon as possible. We cannot leave learners behind. We have a responsibility to help them learn the skills they need to be successful in today’s world (and a future one that we can barely imagine)! In South Africa, we still have major technological constraints. How do you teach digital skills when you don’t have computers, bandwidth or any of the other digital infrastructure? One of the key points raised and emphasised by the DBE is that the new proposed curriculum should not discriminate in any form against our learners. Therefore, the proposed curriculum has been developed in such a way that even schools with limited resources can also benefit from it. The digital skills workbook that I have developed in conjunction with Shuter & Shooter has been designed with this mindset. Schools that have designated computer classes with teachers will be able to use it and excel. However, many activities can be done without a computer, if necessary, so learners will learn the same concept whether or not they are sitting in front of a PC. Why did you decide to write a digital skills textbook for the South African schools market? SA SchoolCoding wanted to reach more learners than we are currently able to. We have a responsibility to ensure that learners are better prepared for the 4IR, that they are better prepared to be innovators, designers and developers of new content and technology. We also wanted to help Teachers equip themselves with skills. Using the Teacher’s Guides, they are able to future-proof the learners in their classrooms. Do teachers need to know how to code to teach using your textbooks? There is no coding experience required, just a willingness to learn! Teachers can work through the workbooks and Teacher’s Guides to familiarise themselves with the content. We wanted to make it easy for everyone to embark on this exciting digital skills, coding and robotics journey.
Some publishers have provided Higher Education book lists for trade reference. Click through to the publishers listed below: Juta, Oxford University Press, Pearson.
In 2019, many readers cultivated the art of not giving a damn while managing their wallets like grown-ups, despite clear indications that everything is well and truly messed up. Or at least, that is what the top 20 bestseller chart seems to tell us, and the prevalence of titles with the f-word on it. Mark Manson’s self-help classic, The Art of Not Giving a F*ck, outsold all other books by some margin and then some, contributing nearly R1 million per month to bookshop coffers. The sequel, Everything is F*cked, published in May last year, shot all the way to no. 10 on the back of the first instalment. Not to be outdone, South Africa’s own Sam Beckbessinger’s Manage Your Money Like a F*cking Grown-Up bagged the no. 6 slot.
Jeff Kinney’s Wimpy Kid franchise saw three series titles in the top 20 (the only children’s books), while four other prescribed books made the list: Born a Crime, Rich Dad Poor Dad, The Alchemist and The Choice. Only five local titles reached the top: Gangster State, Stellenbosch Mafia, Manage Your Money Like a F*cking Grown-Up, Born a Crime and Deon Meyer’s The Last Hunt. Mogau Seshoene’s The Lazy Makoti almost reached the chart, with Meyer beating her by a mere 13 copies.
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Publisher Phehello Mofokeng has confirmed that literary magazine BKO will make a comeback in March 2020, with four editions per year planned. The periodical reached cult status in book circles between 2004 and 2008, but was sadly discontinued.
After many recent calls for resurrection, Mofokeng believes the market is finally ready: ‘There has not been a time like this in African literature – a time where so many Africans are active participants in their own literature; as independent publishers, authors, independent booksellers, readers and other active role players in the industry. There has not been such a time of high production and consumption of literature by Africans on this continent. Every other day in Johannesburg alone, there are many book launches, book events and readings and a large contingent of book clubs.’
The title is a play on ‘Biko’, a nod to the founders’ Black Consciousness roots and content philosophy. According to Mofokeng, BKO will have the usual mix of poetry, short stories, flash fiction and author profiles, but promises, ‘It will be sexier, brighter and more daring …’
Readers will be able to find the print edition at Xarra Books and Book Circle Capital in Johannesburg, and at Exclusive Books branches in Bloemfontein and Cape Town, Waterfront. BKO will also be available online at www.bkomagazine.co.za.
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