The Underground Booksellers Tour

Bridge Books offers a unique experience that takes book lovers on guided walks through the inner-city’s literary history, tracing Joburg’s informal book trade.

 

Hosted by Griffin Shea, founder and owner of Bridge Books, an independent bookstore in Joburg CBD with a focus on African writers, the tour starts with a coffee at Bridge Books, based in one of the inner-city’s finest heritage buildings, before meandering through Joburg’s historic financial district.

 

The most recent tour included stops at Meischke’s Building, which housed Joburg’s first bookshop Thorolds and is now home to De Strong Tower, a supplier of Nigerian chapbooks (often described as the Nollywood of publishing), the Johannesburg City Library, Urban Ocean’s Pop-Up Arcade, a bookstore dedicated to Africa’s political memoirs and a market offering Southern African literature. The walk also made a stop at Ernest Oppenheimer Park where storyteller and author Baeletsi Tsatsi of Naane le Moya treated walkers to an African mythology storytelling session.

 

The Underground Booksellers of Joburg Tour dispels the myth that Joburg lacks a culture of reading by introducing walkers to the inner-city’s many independent bookstores and smaller second-hand bookdealers. A treat for bookworms!

 

Also operating out of Bridge Books is a wholesale book programme that supplies new books to the more than 70 small sellers in downtown Johannesburg.

The African Book Trust is Bridge Books’ social initiative that gets books into communities through libraries – neighbourhood libraries, school libraries and basically any libraries where books can be shared freely. Interested libraries need to email griffin@booktrust.co.za to register as beneficiaries.

 

To get details of the next tour, contact Bridge Books on 079 708 4461 info@bridgebooks.co.za.

 

 

A Tale of Friendship and Beautiful Hair

Afro hair is steadily gaining momentum as more and more women of colour across the world opt to wear their hair naturally, a transition that has as much psychological value as commercial value with mega chain stores and manufacturers rushing to expand their African hair products offering .

Here in South Africa, the consciousness of natural African hair is growing and one of the voices leading in the affirmation of African hair is Lebohang Masango a Master’s candidate in Social Anthropology at the University of Witwatersrand. She is also a children’s book author, feminist, poet, freelance writer and social commentator.

Lebohang authored children’s book, Mpumi’s Magic Beads (self-published under Thank You Books) a delightful book about friendship, self-esteem, discovery and beautiful hair in Joburg city. It follows the sudden adventures of Mpumi, Asante and Tshiamo as they see the world around them from new heights and realise all of the fun waiting to be discovered outside of their classroom. This story is a great read for the whole family, especially children aged between 5 – 10 years old

The book has been translated into all of South Africa’s official languages. She regularly hosts storytelling sessions for children in schools and community libraries.

Her research interests include gender, popular culture, representations and new digital media. Her Honours’ ethnography, aptly called Of Hair and Brown Girls: Beauty and Femininity in Pretoria, explores race and femininity through hairstyling practices, self-imaging, whiteness and regulations for African girls in a Tshwane primary school.

Among Lebohang’s achievements and accolades, she was a member of the Feminist Stokvel, a group of women who hosted public conversations regarding natural hair.

She recently participated in the South African Book Fair 2018  in the Keorapetse Kgositsile Poetry Café, #OURSTORIES on the page, mic and stage, where audiences were treated to a feast of intergenerational voices in indigenous languages.

 

The Chalk Giraffe

Imagnary House launched a delightful new title where illustrator Megan Lötter joins forces with Kirsty Paxton in a cheeky and fun African children’s story, which is their first children’s book together.
What sort of landscape would you like to live in? Imagine if you had the chance to tell the artist how you wanted to look? Well, the animals of Africa – starting with the giraffe – have a say in creating their own personal landscape when our artistic child draws a giraffe in chalk. When the drawings magically come to life, the characters become rather demanding art critics, and some things have to change!

 

We all know how fabulous it is to draw with chalk and create characters that we love and then rub them clean when we want to change them, only to recreate the original picture. In The Chalk Giraffe, author Kirsty Paxton gives us all these elements along with rhyming text and a creative child with wildly messy hair and a vivid imagination.  When her creation comes alive and asks for more colourful surroundings, she happily draws that for him.

 

“‘I’m alone’ he cried out, ‘there’s just grey all around’. So I drew him a tree growing up from the ground.”

 

But as he asks for more and more, our little artist gets frustrated and things start to unravel! What follows is a quirky and humorous tale of creativity and perspective, with the beautiful African landscape as a backdrop to this unlikely friendship.

 

The collaboration between Kirsty Paxton and Megan Lötter has resulted in a beautifully balanced book, where illustration and text allow children to pursue their own creativity.
Kirsty Paxton is a play education specialist from Cape Town, South Africa, and now living in Canada. She has previously written and published Why is there a Hole in the Wall? through Book Dash, and throughout her life has worked in jobs that encourage learning for children through play and imagination, including time in her own business Artee Parteez and working with Axium Education. Her latest kids’ book, The Chalk Giraffe is a dive into creativity and curiousity for children, exploring what art means and what role we partake in it. It is an exciting and brilliant understanding of imagination for children, and is sure to lead to many more publications in this vein.

 

Megan Lötter is a freelance illustrator living in Cape Town, South Africa, having studied graphic design at CPUT. She is in love with creating characters and animals for children’s books, nostalgic of her own childhood. Having been surrounded by paint and an endless supply of pencils and crayons, her love for drawing started at a very young age and highly influenced her love for colour. Her new illustrated book, The Chalk Giraffe, captures this pursuit of colour, perspective, and out-of-the-box art for children.

Unprecedented Photographic Collection of World’s Remaining Wild

 

In more than 200 striking images, acclaimed South African photographers Peter and Beverly Pickford have created an unparalleled portrait of some of our planet’s most untouched places.

 

Authors of the book, Peter and Beverly Pickford are professional wildlife photographers, committed conservationists, and inveterate travellers and explorers. They have collected the images for the book from across the globe, including Namibia’s Skeleton Coast, Alaska, the Arctic, Australia, Tibet and Patagonia.

 

“In partnership with Nikon, Wild Land documents some of the most extreme landscapes and highlights the desperate need to preserve these locations,” explains Ben Williams, GM: Marketing for Exclusive Books. “We are immensely proud to have a book of this caliber on our shelves.”

 

South African-born, and after following careers in safari-lodge and reserves, and hotel management respectively; Peter and Beverly are widely hailed as award-winning photographers. Their work has carried them across all of earth’s continents to produce nine books, among them the bestselling The Miracle Rivers: The Okavango and the Chobe of Botswana and the critically acclaimed Forever Africa: A Journey from the Cape of Good Hope to Morocco. Beverly and Peter’s photography has earned them numerous awards, including the Agfa Wildlife Photographer of the Year.

 

Publishers of the book, Bookstorm, describe the book as, “A landmark natural history title from two of South Africa’s most famed wildlife photographers.”

 

Wild Land’s stunning images are accompanied by a fascinating text in which Peter not only vividly describes the photographers’ adventures in pursuit of wild land, but also delivers a timely message that highlights the urgent need for these lands to be preserved for the future of the planet – a future on which humankind’s very survival is dependent.

 

The making of Wild Land

Peter and Beverly Pickford are passionate about wilderness. More than thirty-five years ago, they stepped out of the security of their professions and began their first book on the wilderness areas of northeastern South Africa.

 

Their unrelenting determination to see such an immense project through has been driven by a belief in the power of photography and the written word. A photograph and its related story has the capacity to reach hundreds of thousands of people: in the intimacy of their home, in their work place or in their quite moments. And it can influence the paradigm of their thinking. It is this belief – coupled with the conviction that real wilderness protection lies not in laws and official jurisdictions, but in the hearts of a nation’s people – that urged Peter and Beverly on their journey to bring what wild land remains to the notice of the world.

 

For Wild Land, Peter and Beverly have broken out of the mould of traditional wildlife photography to create a unique photographic style. They stepped back from their subject, and, instead, made images of the vast scope of the wilderness, emphasising wild animals’ dependence on their environment. The resulting four-hundred-page epic is a tribute to the power of innovative photographic imagery. Wild Land aches with what words struggle to describe: the resonance of wilderness in our inner being, the power of land to transform our emotion, and our ability to transcend the immediate and become sublime.

 

To hold the book, is to journey, not only to the physical places that Peter and Beverly found in their exploration of the extremes of the earth, but also to experience humility and awe in places so wild they induce fear. It is to know what J. W. N. Sullivan meant when he wrote:

 

“At such moments one suddenly sees everything with new eyes; one feels on the brink of some great revelation. It is as if we caught a glimpse of some incredibly beautiful world that lies silently about us all the time. “

The Netflix of Books Lands in SA

South African bookworms rejoice! Bookchoice – the ‘Netflix of books’ – is finally on our shores. Now it’s as easy to get a great book as it is to stream a series. For R50 a month, you can receive a monthly delivery of eight curated ebooks and audiobooks, handpicked by a team of industry experts.  The membership based-service will make you feel like you’re part of a real-life book club, exposing you to top local and international authors to fast-track decision-making and add an element of discovery.

We all know that feeling of delight when a parcel arrives. There’s that sense of suspense as you rip the box open to expose the unknown contents inside. Bringing that excitement to the digital sphere is what Bookchoice is all about. Nathan Hull, Chief Commercial and Content Officer at Bookchoice says, “Our mission is to provide a simple, affordable platform and app that helps people fall in love with reading again. We know South Africans are spending more and more time on smartphones. So we make good books just a couple of clicks away. That way, it’s as easy to make reading a daily habit as it is to browse Instagram or watch YouTube.”

The service is currently available in Holland, the UK, Australia and SA. Recognising a gap in the SA market, the Bookchoice team hope to reinforce reading as part of South African culture by providing a platform that’s accessible and convenient. Currently, SA has what’s been described as a reading crisis. Africa Check cited that the latest studies show only 25% of the adult population regularly read books. The statistics on children are not much better – the 2016 Progress in International Reading Literacy (PRILS) found 78% of SA fourth year primary school pupils could not read for meaning.

Bookchoice is also hoping to support the SA book scene by introducing a leading local author on a monthly basis.

“We’re excited to be partnering with SA publishing houses to include a well-known local ebook or audiobook in each month’s book delivery. For Nelson Mandela’s 100th birthday in July, we included I Remember Nelson Mandela in our selection. This touching biography is a compilation of insights from those who knew the legend best,” says Hull.

 

Going forward, top African authors like Kopano Matlwa, Rosamund Kendal and Panashe Chigumadzi will be featured alongside international favourites like Lynda La Plante, Jonas Jonasson and Stuart Macbride.

 

“It’s very important for us to feature standout local authors. SA is a talent incubator for some of the world’s best – and often most underappreciated – writers. So we hope to help shine a spotlight on the abundant talent emerging in the country and the greater African continent,” Hull continues.

The selection covers a range of genres and titles to suit readers’ different moods and enable them to find new gems. This helps bookworms to break free of a ‘reading rut’ and uncover new favourite authors. Like Chimamanda Ngozi Adichie, Wilbur Smith, Heather Morris, Arundhati Roy, Kazuo Ishiguro and Sebastian Barry – all big names who have been included in the past.  Additionally, it takes away the stress of having to pick a book from a shelf of hundreds of titles.

Hull says, “Finding a good book usually takes time. To help people fall back in love with reading, we realised we needed to simplify the process. Our ‘Netflix model for books’ achieves this and it has proven extremely popular. We’re able to provide the latest titles from leading authors for an incredibly affordable price – in SA, only R50 a month. That’s eight premium ebooks and eight audiobooks for the price of a burger!”

So how does Bookchoice work?

You simply pop onto the site, sign up for the service for just R50 a month, and then get all-inclusive access to the selection of the month – eight ebooks and eight audiobooks you can download directly to your phone, Kindle or a wealth of other devices. Once you’ve downloaded the book to your device, it’s yours to keep forever. Users can also download the Bookchoice app for even faster access to their books when they’re on the go.

Titles to look forward to this September are:

 

Michelle McNamara I’ll be Gone in the Dark / ebook

Mhairi McFarlane Who’s that Girl / ebook and audiobook

Allison Pearson How Hard Can It Be? / ebook and audiobook

Andrew K. Miller Dub Steps / ebook

Luke Kennard The Transition / ebook and audiobook

Jim Crace Harvest  / audiobook

Adrian Barnes Nod / ebook

Sally Andrew Recipes for Love and Murder  / audiobook

Caitlin Davies Daisy Belle: Swimming Champion of the World / ebook and audiobook

JM Green Good Money / audiobook

Clyde Brolin In the Zone   / ebook and audiobook

 

You can try out the service right now! Bookchoice is offering a free one month trial. Simply email support@bookchoice.com with “Bookmark” in the subject line. The trial is available until 31 December 2018.

Young and Upcoming – A Writer with a Twist

FunDza Literacy Trust has an online library aimed at getting South African teens and young adults reading for pleasure by providing the relevant, exciting and accessible content that will make them want to read. Every week there is a new short story, and every day new material is added, so it is indeed a content ‘monster’, always needing to be fed.

 

Thus FunDza is always on the lookout for new young writers, so when Anathi Nyadu, a student from the University of the Free State, started regularly sending in some good writing to be published in the Fanz section, Zimkhitha Mlanzeli, FunDza Editor, took note.

 

Zimkhitha had been writing the diary of Zinzi Zwane in serialized form for FunDza – this was a fictional story of a young woman with trials and tribulations. However she was looking for a new writer for the series, and so she commissioned Anathi to take it on.

 

And take it on he did. Anathi took on this new challenge writing as a young woman, and Zinzi went through a slight personality change, suddenly reading lots of South African literature and giving book reviews, though also going through her various conflicts with parents, boyfriends and peers.

 

Anathi was also mentored by FunDza editors to write one of FunDza’s professional weekly stories, ‘In our hands’, a moving story about the FeesMustFall protests.

 

So when Cover2Cover, FunDza’s publishing partner, was looking for an young writer to write the latest book in their popular Harmony High series, Anathi was a natural choice. He came to Cape Town to meet and work with the Harmony High editors to conceptualise the story and brainstorm the plot details. Although Harmony High is a series, each book follows a different character who attends Harmony High, a fictional township high school, Anathi introduces the character Khanyisile, who goes through difficult times as he arrives at Harmony to finish his schooling.

 

After a lot of hard writing and editing work, Heart of Stone was released. It is the first Harmony High book to have the new graphic cover design, which will now be part of the Harmony High look.

 

We caught up with Anathi to hear more from the writer himself.

 

Tell us about writing as Zinzi Zwane – was it a challenge, writing as a woman?

It wasn’t really hard for me because I read a lot and thus expose myself to a lot of female characters and how they lived their lives.

My background is different from Zinzi’s though, and that was a challenge. Zinzi grew in a well-off family but the diary begins exactly when they lose all the money. However, her way of looking at life remained the same even though she was no longer privileged. What was hard for me as someone who didn’t grow up in a family that had money was writing about someone who had everything growing up. But her gender was not an issue at all. I began to own the character as time went by.

 

Why do you think producing local content is important?

African stories have been written for a long time by people who are not African –  and this has led to the misrepresentation of Africans. This has been seen in movies, and in books where characters and their actions were merely stereotypical and failed to represent us accurately. For me, reading stories written by African people was quite important for me, as I could relate to the stories easily. By writing my stories, I hope to do this for many other young people. If our stories aren’t told by us, the misrepresentation will continue.

 

How does Heart of Stone aid in this misrepresentation?

The little details are what matter when telling a story that is uniquely your own. An example would be the use of names in the African cultures. Names have meaning in African culture – you are what you are called. In the book, I tried to give the character names that matched their purpose for the story. For instance, there’s a character I called Nwabisa which means to make happy and her role in the story was to try and comfort and bring happiness to the life of Khanyisile.  I also chose to set the earlier parts of the story in a fictional village called kwaMtuzuma. Which literally translates to “in Zuma’s land”. I chose to this because I wanted the reader to understand that the story is set in contemporary South Africa and that these struggles are very current.

 

Also, the book is set in a Cape Town township. This setting alone is a place that many of our youth can relate to – and can identify with some, if not all of the troubles that are mentioned. Troubles such as old people who drink and yet tell them not to drink, bullies at school, gangsterism and gender based violence or even a lack of parks for youth activities and access to libraries. Heart of Stone was inspired by the different challenges I have seen and experienced that the township youth face today.

 

How do you think we can remedy the lack of reading in South Africa?

People do not have access to reading material. I started reading from a young age. Books were not available in my home or anywhere close by, so whenever my nephew visited, he would bring me magazines and newspaper clippings from town and I would spend a lot of my time reading them. This is still a problem today. People do not have access to libraries and many homes do not have books in them – no wonder the youth equates books with school only and not with pleasure. This will not happen organically, but needs to be actively changed – which is why I seek out opportunities to do my part, no matter how small to actively change the culture of reading in South Africa.

 

 

Rally to Read’s Destination: Literacy

 

In a beautiful country with a rugged landscape, the stark reality is that the journey to equality and education for all is equally rough, where poor literacy levels still abound, 24 years into democracy. In as much as all eyes are on our education system, the real remedy lies in a concerted, collective effort by all facets in society to pull together and contribute to the goal: literacy for all South Africans.

For the past two decades, Rally to Read has quietly ploughed forward, making inroads by actively furthering literacy in rural South Africa.

 

Rally to Read delivers educational materials and provides teacher training to specifically identified rural schools that frequently tend to ‘fall through the cracks’ of already-stretched provincial education budgets. In these schools, things the rest of us take for granted … books, pens, desks … are absent. Imagine how hard it is for educators to inspire, educate and promote literacy without the basics?

 

Responsible businesses and concerned private individuals contribute to the Rally to Read budget every year. This money pays for stationery, books, portable classroom libraries, and teacher training. Schools identified for the Rally to Read Programme are visited three years in a row. Educationalists believe this is the minimum period required to achieve sustainable results.

 

Over the past 20 years, independent studies have shown remarkable improvements in reading and writing skills at Rally to Read schools.

Educator training and school progress are carefully monitored by READ Educational Trust, who has managed the programme from the outset. Provincial education departments wholeheartedly endorse Rally to Read, as does our Government at national level. One of our great supporters in the past has been President Cyril Ramaphosa himself, who said, “Rally to Read is an extraordinary story of caring, collaboration and hope.”

 

Off the beaten track, Rally to Read is 100% on track in the pursuit of literacy. What makes this concept unique is that sponsors personally distribute the materials purchased. At no extra cost, they accompany their colleagues or families over a weekend, in a convoy to rural South Africa. They meet the children and educators whose lives they’re enriching, along with eager parents and community leaders.

 

Four rallies are planned for 2018, and even more are planned in years to come. The four provinces targeted in this year’s activities, are KwaZulu-Natal, Free State, Eastern Cape and Western Cape. Generally, resources are loaded on the Saturday morning; convoys are split into teams, each of which visits two schools. Teams meet up later to talk about the day’s activities and sponsors spend a night in a nearby hotel and are invited to participate in an excursion before heading home.

 

The Free State rally took place on 8 – 9 September, the KwaZulu-Natal rally on 20 October, the Western Cape rally will be held on 27 – 28 October and the Eastern Cape rally will take place on 3 – 4 November.

 

Sponsorship amounts to R35 000,00. Food and accommodation costs for the rally weekend are footed by the hosts and organisers. Off-road vehicles are available for hire at special rates.

 

Why not become involved in the Rally with a difference? Make inroads to places where literacy will make a lifetime of difference. For more details on how you can get involved, visit http://rallytoread.co.za/, or contact Lizelle on 0872377781.

 

This initiative is supported by READ Educational Trust, a non-profit organisation whose sole objective is to promote literacy across South Africa.

 

From the President

We recently had the twentieth Annual General Meetings of the SA Booksellers Association. There are a number of factors affecting our industry in South Africa at various levels. Like the rest of the world, economic fluctuations, along with a drop in consumer confidence and a general increase in costs across the board are affecting the industry in a myriad of different ways.Paper prices have gone up between 24 and 35% and shipping costs have gone up 23% in the last year. The economic meltdown and political turmoil being experienced in other parts of the globe is staring us in the face as well and the book industry is no different. The current rand/dollar exchange rate does not help matters.

 

NATIONAL OFFICE

The last year at the SA Booksellers national office has been most challenging. We did not have the services of an office manager during this period but thanks to Jonathan and the Exco team who have all rallied in assisting to the day to day issues of the association. The good news is that we now have a new lady, Tashrikah Jones who has taken the place of Samantha at the National Office in Cape Town. We hope in time, she will be able to assist in all your book related queries.

 

BOOKSELLERS ON-LINE COURSE

The Booksellers On-Line Course steered by Olinka Nel is ready to go live. The royalty agreement is signed and I believe all other processes completed. This is a huge benefit for members and a lot of effort and time was sacrificed by Olinka, Melvin and the team towards enhancing  booksellers in the long term.

 

RETAIL BOOK SURVEY

It is important for us as an industry to have a fairly recent guide to the value and size of retail bookselling in South Africa. Our last survey was done five years ago and we therefore have instructed the University of Pretoria to go ahead with the survey. You would have received your Confidential Book Trade Industry Survey and I hope you have completed and returned the form to the University of Pretoria team. The survey is an expensive exercise and it is vital for members to ensure that the correct information is supplied to the survey team. Mr Peter Adams is our go to man regarding the survey.

 

VAT ON BOOKS

A Sub-Committee was set up by Treasury to call for recommendations on value added tax on goods and other commodities. Mahomed Kharwa submitted a detailed document on behalf of SABA for the zero rating of text books to the sub-committee. We were not successful.

LTSM FORUM

Hentie Gerricke, Sydwell Molosi and myself represent SABA at the LTSM Forum meetings held in Pretoria. Unfortunately, late postponement and cancellation of some meetings by DOE makes attending a challenge and therefore no report back to SABA.

 

SOUTH AFRICAN BOOK DEVELOPMENT COUNCIL

We are a founding member of the organisation. Melvin, Olinka and I attend SABDC meetings. Current findings are that there is no increase in the number of adult South Africans that read on a regular basis.

Reports from the Educational, Library, General, Academic and Digital sub-committees will presented by heads of these groups and you will have the opportunity to ask questions if necessary.

My sincere thanks and appreciation to the following who served on the SABA Executive the last year, so admirably:

 

Vice Presidents – Riaz Hassim (Chair: Northern Region) and Melvin Kaabwe(Chair: Digital)

 

Honorary Secretary:                                     Peter Adams

 

Treasurer:                                                      Jonathan Ferreira

 

General Trade Chair:                                    Olinka Nel

 

Library Chair:                                                Vic Lopich

 

Education Chair:                                           Hentie Gerricke

 

Digital Sector:                                               Melvin Kaabwe

 

Academic Chair:                                            Mahomed Kharwa

 

Eastern Region Chair:                                   Sydwell Molosi

 

Southern Region Chair:                                Ermien Louw

 

National Office Manager:                             Tashrikah Jones

 

And Myself as President and Chair of the Central Region

 

The Association notes its appreciation and gratitude to all individuals who have given so much of their time to assist in the interests of the book industry. Your presence here today is also appreciated. I want to place on record our thanks to Maureen Hargraves for arranging the annual conference this year again.

 

In conclusion I wish to thank you for your support and guidance and reiterate that my job as chair was made a lot easier working with an excellent executive committee team.

 

“To write books is easy, it requires only pen and ink and the ever-patient paper. To print books is a little more difficult, because genius often rejoices in illegible handwriting. To read books is more difficult still, because of a tendency to go to sleep. But the most difficult task of all that a       mortal man can embark on is to sell a book” ~ Stanley Unwin

Guru Redhi

President : SA Booksellers Association

 

 

Wrap Up of National Book Week and South African Book Fair

South Africa’s longest running and most recognised reading promotion campaign recently drew to a successful close. This year marked the ninth annual National Book Week (NBW) in association with Department of Arts & Culture and the South African Book Development Council (SABDC).

 

NBW embarked on a nationwide tour from 3 to 9 September in all nine provinces and thousands of children, youth and adults were interacted with through 13 events held across South Africa. The tour reached beyond urban centres and went to places like Op Die Berg in Western Cape, Letsopa in North West and Mgobodzi in Mpumalanga. In recognition of NBW, The National Book Week Champion Awards were held in Newtown to honour the provincial and municipal government teams that made NBW possible through their outstanding dedication and commitment in promoting reading throughout the country.

 

The Book Week culminated with the South African Book Fair from 7 to 9 September at Johannesburg’s Newtown Precinct. With over 120 authors in attendance, the theme for this year’s event was #OURSTORIES to highlight that South Africans can – and should – be the authors of their own stories.

 

“It’s through sheer partnerships that we can pull off events like National Book Week and the South African Book Fair. We are grateful for the support we receive from the Department of Arts and Culture and the Fibre, Processing and Manufacturing SETA. It is through initiatives like this that we share the rich stories of our country and promote a reading culture” commented Elitha van der Sandt CEO SABDC.

 

Families, children and youth from across the country turned up to participate in the best the industry has to offer as the exciting line-up at this year’s Book Fair had something for everyone which included an extensive exhibition of the latest titles published by commercial publishers, panel discussions with leading movers and shakers, philosophy café events facilitated by prominent thought leaders, poetry café events featuring some of Africa’s boldest voices, and interactive sessions dealing with some of the most pressing social, economic and political issues facing our country today.

 

Debuting at this year’s Book Fair were The African Philosophy Café to discuss the tale of two hegemons: SA and Nigeria in Africa, and; the Authors Corner to provide support to aspirant authors.

 

NBW will return from 2 – 8 September 2019 for its TENTH ANNIVERSARY. It will have its own dedicated space on the South African calendar and be launched as part of #HeritageMonth. Everyone is encouraged to promote the importance of books in 2019 through #NBWturns10 and to share their celebration ideas with the SABDC as they may form part of the activities line-up.

 

The South African Book Fair (Book Fair), is presented by the South African Book Development Council, in proud association with the Fibre, Processing and Manufacturing SETA (FP&M) and Kaya FM.

Exclusive Books Wins BASA Award for its Pan-African Reading Room

Exclusive Books, The Market Theatre Foundation and The Coloured Cube have been announced as BASA Award winners for the Sponsorship in Kind Award for The Exclusive Books Pan African Reading Room and Pan African Reading Lounge at the Windybrow Arts Centre.

 

“We are delighted by this recognition of our efforts in the Pan-African literature space,” said Ben Williams, GM: Marketing for Exclusive Books. “This partnership has firmly established the Windybrow Arts Centre as a hub for the advancement of Pan-African literature and has helped bring African stories and literature to life for a wider audience.”

 

The 21st Annual BASA Awards, held on 16 September at the Victoria Yards, recognise and honour businesses that invest in an inclusive economy through art.  Exclusive Books was one of 11 winners announced at the ceremony.

 

The Windybrow Arts Centre opened the doors on the Exclusive Books Pan-African Reading Lounge for adults and The Exclusive Books Pan-African Reading Room for children on Nelson Mandela Day, 18 July 2017. Over 2000 Pan-African titles are housed in the 121-year old Windybrow Heritage House, courtesy Exclusive Books.

 

The reading rooms have encouraged a reading culture among the more than 120 daily visitors to the Windybrow Arts Centre – most of whom are youths. In addition, the Centre launched a monthly book club programme for children and a series of forums for adults focusing on African authors and on the titles available in the Reading Lounge.

 

“We warmly congratulate each winner and thank all the finalists for their commitment to supporting and working with creative people,” said BASA Chairman Andre le Roux.

 

Heidi Brauer, Chief Marketing and Customer Officer at Hollard, a BASA sponsor, said, “In beautiful harmony with Hollard’s special partnership model, the BASA Awards really do deliver win-win-win.

 

“Artists benefit through having their work recognised and celebrated; corporates grow their brand and gain exposure to the creative arts; and broader society is enriched through the conversation, challenge and stimulation provided by art that may not otherwise have seen the light of day. Such partnerships enable a better future for us all.”