And the Winners are….

President’s Keepers by Jacques Pauw wins the grand prize!

 

The much-anticipated Grammy’s of the book industry were recently announced at a packed ceremony held at the Wanderers Club in Illovo, Johannesburg. The annual event forms part of the booksellers and publishers of South Africa co-joined Annual General Meetings (AGM) where topical issues in various sectors of the book industry are discussed. The Awards acknowledge and celebrate booksellers and the role they play in promoting literacy and a culture of reading..

 

The winners are:

  • Academic bookseller of the year – Protea Books
  • Education bookseller of the year – Books 24/7
  • Library supplier of the year – Hargraves Library Services
  • Trade bookseller of the year (chain stores) – Bargain Books
  • Trade bookseller of the year (independent) – The Book Lounge
  • Academic publisher of the year – Juta Books
  • Education publisher of the year (large) – Best Education
  • Education publisher of the year (small) – Berlut Book
  • Trade publisher of the year – Jonathan Ball Publishers

 

Winners are selected through a voting process which enables Publishers to select the best among Booksellers and in turn Booksellers choose the winners among Publishers.

 

The evening culminated with the most coveted accolade, the Nielsen Booksellers Choice Award. The award is bestowed upon a local author for a South African published book that booksellers most enjoyed selling or that sold so well that it made a difference to the bottom line of booksellers across the country.  The award went to President’s Keepers by investigative journalist Jacques Pauw. Published by Tafelberg Publishers, the book exposes a secret at the heart of

 

Jacob Zuma’s compromised government. To date the book has sold over 200 000 copies worldwide.

 

Mr. Pauw gave a riveting speech by sharing the journey of the book from the moment it hit shelves across South Africa.

“When criminal charges were instituted against me in an effort to ban the book, everyone went out and bought a copy of it and it sold out. In the midst of all the publicity it also become an international best seller on ebooks” commented Pauw.

 

The short-listed books for Nielsen Booksellers Choice Award 2018 were:

90 Rules For Entrepreneurs by Marnus Broodryk, published by Tracey McDonald Publishers.

Khwezi by Redi Tlhabi, published by Jonathan Ball.

No Longer Whispering To Power by Thandeka Gqubule, published by Jonathan Ball.

I Write What l Like by Steve Biko, published by Pan Macmillan

Book Industry Giants Gather

The South African Booksellers Association and Publishers’ Association of South Africa Annual General Conference 2018

 

South Africa’s flagship book industry event is set to happen on 28 and 29 August at Wanderers Club in Illovo north of Johannesburg.  Booksellers and publishers of South Africa gather at co-joined Annual General Meetings (AGM) to discuss topical issues in various sectors of the book industry.

 

“The two day conference is a gathering of key players in the business of bookselling. It is a time for all of us to celebrate our successes, share our concerns and collaborate in finding solutions.” explains Guru Redhi, President of the SA Booksellers Association (SABA), which organises the AGM with the Publishers’ Association of South Africa (PASA).

 

“The relationship between SABA and PASA is complementary within the book value chain as the publishers create and distribute, while the booksellers retail the books; one cannot exist without the other” says Redhi.

 

The premise behind the two AGMS happening at the same time and in the same place is to create an enabling environment where discussions can promptly happen with the relevant parties to bring about a swift plan of action.

 

“The AGMS are co-located to encourage PASA and SABA members to strengthen their business relationships in the book value chain,” says Mpuka Radinku Executive Director of PASA.

 

A much-anticipated part of the conference programme is the Sefika Awards & Nielsen Booksellers’ Choice Award on the evening of 28 August. The event acknowledges and celebrates booksellers and the role they play in promoting literacy and a culture of reading by producing and selling quality books in South Africa.

 

The following categories form part of the bookseller’s awards:

  • Academic bookseller of the year
  • Education bookseller of the year
  • Library supplier of the year
  • Trade bookseller of the year (chain stores)
  • Trade bookseller of the year (independent)

 

Publisher’s awards that will be elected are:

  • Academic publisher of the year
  • Education publisher of the year (large)
  • Education publisher of the year (small)
  • Trade publisher of the year

 

Winners are selected through a voting process which enables Publishers to select the best among Booksellers and in turn Booksellers choose the winners among Publishers.

 

The evening culminates with the most coveted accolade, the Nielsen Booksellers Choice Award. The award is bestowed upon a local author for a South African published book that booksellers most enjoyed selling or that sold so well that it made a difference to the bottom line of booksellers across the country.

 

Last year’s winner was Born a Crime and other stories by Trevor Noah, published by Pan Macmillan in South Africa.  The book is a memoir of Trevor’s path from apartheid South Africa to the desk of The Daily Show in New York which all began with a criminal act: his birth. Trevor was born to a white Swiss father and a black Xhosa mother at a time when such a union was punishable by five years in prison.

 

The short-listed books for 2018 are 90 Rules For Entrepreneurs, published by Tracey McDonald Publishers, which is based on Marnus Broodryk’s business experiences with insights from his friends and fellow entrepreneurs.

 

Two Jonathan Ball Publisher titles also made it into this year’s shortlist, Redi Tlhabi’s Khwezi – the story of four courageous women who interrupted Jacob Zuma’s victory address at South Africa’s heated municipal elections, and Thandeka Gqubule’s No Longer Whispering To Power – the story of the South African people’s attempt to hold power to account through the Office of the Public Protector.

 

Steve Biko’s I Write What l Like has also made it into the final five. The title features the writing of this famous activist and Black Consciousness leader before his untimely death in detention at the age of 30. Biko was instrumental in uniting Black Africans in the struggle against the apartheid government in South Africa.

 

Lastly, President’s Keepers by investigative journalist Jacques Pauw rounds off the shortlist. This bestselling book, published by Tafelberg Publishers, exposes a secret at the heart of Jacob Zuma’s compromised government.

 

The short list was created through a nomination process by SABA booksellers and the winner is selected through votes from booksellers for a specific author/title.

 

The Sefika Awards & Nielsen Booksellers’ Choice Award event is per invite only.  Media accreditation requests can be sent to maiyo@nativeworx.co.za.

 

 

Be engaged and inspired – bookings now open for 8th Open Book Festival

Be prepared to be engaged, inspired and entertained – the programme has been announced and ticket bookings are now open for the eighth Open Book Festival. The Festival takes place from 5 to 9 September and bookings can be made at www.webtickets.co.za

 

Brought to you by the Book Lounge and the Fugard Theatre, Open Book Festival offers a world-class selection of book launches, panel discussions, workshops, masterclasses, readings, performances, and more. The festival also hosts the popular Comics Fest, #cocreatePoetica and various children’s and outreach programmes. Venues for the event include the Fugard Theatre, District Six Homecoming Centre, the A4 Arts Foundation, and The Book Lounge in Cape Town, and are all within walking distance of one another. Selected events will also take place outside the city centre, such as at Elsies River Library and Molo Mhlaba School.

 

“We have put together a programme that we hope will appeal to book lovers of all interests and ages,” says Festival Director Mervyn Sloman. “The stimulating conversations that arise from the panel discussions, both during and after the event, are what make the Festival unique. We are always grateful to the authors who are so generous with their time and to the audience members for their willingness to openly engage in debate.

 

“Thanks to the support of our partners such as the Canada Council of the Arts, the French Institute of South Africa, the Swedish Embassy, the University of Stellenbosch and the Embassy of Argentina, we are able to bring you leading international authors such as Guy Delisle (Hostage),graphic artist duo Icinori, Jonas Bonnier (The Helicopter Heist), Nicole Dennis Benn (Here Comes the Sun) and Mariana Enriquez (Things We Lost in the Fire). Other international guests will include authors such as Aminatta Forna, Lesley Arimah, graphic novelist Mariko Tamaki and Adam Smyer, whose debut novel Knucklehead is a refreshingly honest, fierce and intelligent read. All this, in addition to the more than 100 incredible South African authors that are joining our programme.”

 

In association with #cocreateSA and the Dutch Consulate General,#cocreatePOETICA hosts a varied programme of readings, performances, discussions and workshops showcasing poetry and the spoken word. Experience the work of Dutch writer, performer and theatre director Babs Gons and musician and songwriter Ivan Words, alongside the cream of South African talent and celebrated spoken word organisations such as InZync, Lingua Franca, Grounding Sessions and Rioters in Session.

 

Open Book Festival once again teams up with the African Centre for Cities to present a number of events exploring urban issues. Inspired by the collection Feminism Is, South Africans Speak Their Truth, a series of Feminism Is talks will interrogate ideas of feminism, gender, patriarchy, sexual health and ownership of the body.

 

The Festival has become known for its focus on political and societal topics, and events will include discussions around the 2019 elections, a look at if our laws hinder or help us and the future of the media.

 

There’s also a strong recurring theme in the programme around loss, memory and personal transitions. Various events will give us a window into the authors’ worlds of writing and creating characters dealing with death and capturing the author’s own personal changes in their lives.

 

The fun- filled Writersports is a firm fixture on the Festival calendar and this year challenges writers with their Cringe Factor: Behind every success are 100 embarrassing failures!

 

The popular Comics Fest takes place on 8 and 9 September with the return of the Monster Battle Draw off, live drawings workshops, discussions and demonstrations, as well as a host of exciting exhibitors in the Comics Fest Marketplace. Don’t miss Dusanka Stojakovic of New Africa Books talking about what she is looking for in order to publish a comic book.

 

Younger visitors will feel welcomed at the Festival with a range of exciting activities including storytime at Central Library, Origami Demo Sessions and a workshop for teens to Create Your Own Character.

 

Longstanding partners Leopard’s Leap Wines will be hosting their wonderful #WordsforWine. Bring a pre-loved or new book to exchange for a glass of Leopard’s Leap wine. Books will be donated the Open Book Library Project and other charities.They’ll also be announcing the winner of their innovative #MessageonaBottle competition.

 

Open Book Festival has established itself as one of the most innovative literature festivals in South Africa. It has twice been shortlisted for the London Book Fair Excellence Awards. Last year, nearly 10 000 people attended the festival’s record 140 events, with ticket sales from previous years surpassed in the first two days. Open Book Festival is committed to creating a platform to celebrate South African writers, as well as hosting top international authors. The festival strives to instill a love of reading among young attendees, with the programme designed to create conversations among festival goers long after the event.

 

The eighth Open Book Festival will take place from 5 to 9 September at the Fugard Theatre, D6 Homecoming Centre, The A4 Arts Foundation and The Book Loungefrom 10:00 to 21:00 each day.

 

The2018 programme is now available at www.openbookfestival.co.za

 

Visit the individual author pages on the website for a list of the events in which they are participating.

 

Bookings can be made at Webtickets www.webtickets.co.za

 

Tickets to events range from R45 to R180. There are also a number of free events but tickets must still be booked for these events to secure a place. Day Passes (which provide one access ticket to six events per day) are R150 and Festival Passes (5 Day Passes with one ticket access to six events per day) cost R600.

 

Open Book Festival is organised in partnership with the Fugard Theatre, The District 6 Museum, The A4 Arts Foundation, The Townhouse Hotel,  Novus Holdings, The French Institute of South Africa, The Canada Council for the Arts, The Embassy of Sweden, The Embassy of Argentina, The Dutch Foundation for Literature, UCT Creative Writing Department, University of Stellenbosch English Department and Central Library and is sponsored by Leopards Leap, Open Society Foundation, Pan Macmillan, NB Publishers, Jonathan Ball, The Other Foundation, Spatial Justice in the Postcolony and Penguin Random House.

 

The SA Book Fair returns with a stellar programme showcasing 120 authors

The 2018 South African Book Fair, which will run from 7 to 9 September at Johannesburg’s Newtown Cultural Precinct, will present a diverse programme of topics and activities for visitors from all walks of life.

 

The three-day programme of events, just released, is brimming with things to do and see for everyone from pre-schoolers to the most dedicated book lovers, including a vault of books with industry experts showcasing books that entertain, educate, empower, inform and advance. No-one is left out, as the South African Library for the Blind showcase tactile books, promoting a positive reading experience for the blind and visually impaired.

 

Celebrating #OURSTORIES on the page, mic and stage, the 2018 Book Fair also promises a feast for lovers of the spoken word as a giant of the South African literary world will be honoured. The late Professor Keorapetse Kgositsile, affectionately known as Bra Willie, will be celebrated through intergenerational voices in indigenous languages, a commissioned tribute poem and more. The inaugural Keorapetse Kgositsile Poetry Café at the SABF will feature some of the most recognised names in the realm of spoken word.

 

The Book Fair, as part of the National Book Week campaign which runs 3-9 September 2018, kicks off with an exciting Schools Programme, where learners, librarians, teachers, caregivers and parents will be treated to a delectable offering of storytelling in the vernac, The Little Prince and other theatre productions, and a host of activities in The National Book Week Magic Tent.

 

The literary programme runs from Saturday to Sunday with an exciting line-up – from panel discussions with leading movers and shakers to a Philosophy Café, facilitated by prominent thought leaders, and sessions dealing with some of the most pressing social, economic and political issues facing our country today. Meet Mandy Wiener, Tembeka Ngcukaitobi, Ralph Mathekga, Christi van der Westhuizen, Mpho Dagada, Dudu Busani-Dube, Jan-Jan Joubert, David Higgs and more.

 

The Fair also features a wealth of experts from the publishing industry who’ll be ready to assist with learning and support materials, the best research and non-fiction books from the university presses and SMME publishers from all provinces.

 

The South African Book Fair, which is a relative newcomer on the local arts and culture scene, lists some highlights of their offering:

  • #OURSTORIES Storytelling Festival where stories of past and current times will be told, shared and sung.
  • African Superheroes, where young authors such as Loyiso Mkize, Bontle Senne, Clyde Beech and Benoit Knox will take the audience into the world of graphic novels.
  • African Philosophy Café, where Prof. Gilbert Khadiagala and Prof. Adekeye Adebajo will discuss the tale of two hegemons: SA and Nigeria in Africa.
  • In Original Sin, panellists such as Adv. Tembeka Ngcukaitobi, Dr. Nomkhosi Xulu-Gama and Dr. Marek Hanusch will explore the complex issue of land disposession in South Africa.
  • A Celebration of Giants remembers the timeless contributions of Albertina Sisulu and Nelson Mandela as the country celebrates their centenaries.
  • Skin Deep with Rosie Motene, Sarah-Jayne King and Thuli Nhlapo looks at adoption across racial lines.
  • Writers Are Our Conscience explores how writers and readers influence society. Do writers steer the course of a country’s socio-political passage? Sindiwe Magona, Siphiwo Mahala, Melinda Ferguson, Antjie Krog, Maishe Maponya, Peter Harris and many more will unpack this topic.
  • Step Into My Womanhood is where diverse woman authors such as Malebo Sephodi, B Camminga, Anne Dahlqvist and Melanie Judge will discuss their expressions of womanness.
  • Exposed! South Africa’s Hidden Web of Crime will feature three journalists; Mandy Wiener, Anneliese Burgess and Pieter-Louis Myburgh; who will give unprecedented insights into political and underworld figures, as well as exposing how these criminal networks have infiltrated the South African enforcement authorities and agencies.
  • Bus Tour: Hop On, Hop Off will explore Johannesburg’s uneasy relationship with its past and future. Three local authors; Terry Shakinovsky, Harriet Perlman and Nechama Brodie; will take audiences on a journey through the city’s historical, political, cultural and culinary sites, as depicted in their writings.
  • A production of The Little Prince will be performed by the Market Theatre Foundation’s brand new theatre company, Kwasha! This performance will be a magical re-telling of the book, mixing storytelling and circus in multiple languages to create a unique South African inspired production of this French masterpiece, for adults and children alike.

 

The full programme for the 2018 South African Book Fair, which is the final event on the National Book Week calendar, can be accessed at www.southafricanbookfair.co.za.  Booking is essential and tickets for all sessions are priced at R40 and are available through WebTickets here. Entry into the exhibition, poetry performances, the storytelling festival and the Family Zone will be free of charge.

 

The South African Book Fair (SABF), is presented by the South African Book Development Council, in proud association with the Fibre, Processing and Manufacturing SETA (FP&M).

 

Focus on Schooling 2016

A report titled General Household Survey: Focus on Schooling 2016, which was released by the Department of Basic Education last month, revealed that 570,000 children and teenagers were not attending educational institutions in 2016, including more than 45,400 who found education “useless or not interesting”.

About 104,000 were from the compulsory schooling age group of seven to 15 years while the remaining 466,000 were 16 to 18 years old.

read the full article here

Jacana Media awarded Bologna Book Fair’s ‘Children’s Publisher of the Year’

Jacana Media is proud to announce that they have been awarded the Bologna Book Fair’s ‘Children’s Publisher of the Year’ prize in the African category.

The prize is for “publishers who have most distinguished themselves for their creative and publishing excellence over the year, showing originality as well as professional and intellectual skills” and Jacana Media congratulates the other shortlisted publishers Boustany’s Publishing House, Sub-Saharian Publishers, Protea Boekhuis and Ruisseaux d’Afrique.

The prize is run by the fair in association with the Italian Publishers’ Association and rewards the best children’s publishers in six areas of the world: Africa, Central and South America, North America, Asia, Europe and Oceania.

“We are honoured to be recognised with this award,” says Carol Broomhall, publisher at Jacana Media. “We work hard to bring our books to a primarily South African audience and it is heartening when the quality of our publications is recognised internationally and we are thrilled to be so acknowledged.”

The winners in the other regions are:

    OneTree House – New Zealand (Oceania)
    Éditions D’eux – Canada (North America)
    Ediciones Tecolote – Mexico (Central and South America)
    Wydawnictwo Dwie Siostry Publishers – Poland (Europe)
    Fukuinkan Shoten Publishers – Japan (Asia)

Facebook’s App problem

“Facebook is part of an industry that fetishizes seamlessness and supposed user-friendliness over privacy and transparency. By characterizing these connected services as “apps,” Facebook encourages us to sign our data away with a click in the name of seamless design–and rarely gives us a chance to object. That practice is now playing out in disastrous ways.” Read this very interesting article from fastco in the wake of the Cambridge Analytica news.

Facebook’s App problem

Bumble Books

Take-homes from Shanghai

Bumble Books, a small South African independent publisher has won several international awards including the Best Children’s Book Publisher Africa in Bologna in 2016. This international recognition has led to rights sales of Bumble titles, some of which have been in Chinese. As a result Robin Stuart-Clark, owner and publisher of Bumble Books, was invited to attend the Shanghai Visiting International Publisher’s Programme Fellowship (SHVIP) at the China Shanghai International Children’s Book Fair (CCBF) in 2017.

The CCBF is the only book fair in the Asia Pacific region fully dedicated to children’s book publishing and children’s content. Established in 2013, after five successful book fairs, today CCBF rapidly confirms its status as a significant publishing event on the global market.

The SHVIP is a six-day fellowship programme that offers a group of children’s book specialists the opportunity to gain detailed insight into China’s publishing landscape and visit the CCBF from an exclusive perspective. The 2017 fair took place from 13 to 18 November in Shanghai and welcomed 11 children’s book professionals.

The programme is designed for publishers and editors from all levels. However, vacancies are reserved for foreign rights and, literary agents, scouts and other specialists in children’s literature with a strong interest in the Chinese market.

The Fellows met Chinese publishers who showed them what they are doing and what they are buying from international publishers. Meetings with some of their writers, editors, designers and illustrators led to an exchange of ideas with both parties.

The programme culminated in a book pitch party where the 11 international fellows and 9 Chinese publishers each had three minutes to present a book. The Fair then ran from 17-19 November where various appointments with Chinese publishers had been pre-arranged.

The Shanghai International Children’s Book Fair has 350 exhibitors from some 35 countries displaying over 60,000 new titles in 25,000 square metres of exhibition space, 66% of which is Chinese product. The development of the Fair over the past 5 years has mirrored the social and cultural changes in China that have led to growing consumer demand, particularly for pre-school titles and picture books. Many titles are designed to introduce reading to young children with interactive and novelty titles much in evidence.

The Chen Bochui Literature and Publishers Award as well as a comprehensive conference and children’s literature programme are major features of the Fair. Highlights of the event are the Golden Pinwheel Illustrators Award (now in its third year) designed to showcase new talent from around the world. A record 3,655 entries were received from 37 countries. Notably, South African Dale Blankenaar, who is currently working on a Bumble book, Copycat by Sadia Ismail, was one of the nominees.

The State encourages publishing – including purchase of international rights (adult and children’s titles) – and promotes accessibility with subsidies to keep book prices low and provides access to the education system. This allows publishers to publish many more titles per annum; for example, The China Welfare Institute Publishing House publishes over 200 titles per annum. There has been talk of the State limiting the allocation of ISBNs for international titles published in Chinese, but it seems that China’s ‘open door’ policy will prevail.

TRENDS

China is open for business. They want to be seen as truly international and want to trade with us: buy and sell. Their books are sophisticated, beautifully produced and accessibly priced. Bookstores are child-friendly with special areas for activities, readings and performances, resting, food outlets and can also include optometrists.

Art, culture and heritage are big earners in China. The Chinese are proud of their culture and heritage and this is evident in children at heritage sites and the many books published on folk stories, history, fantasy and the like. This reading ethic extends to international children’s classics which are hugely popular as well as contemporary children’s books.

There is a definite interest and need for entertaining but less didactic texts with images – Bumble titles like The PossibiliTree, The Rainbow’s Heart, and at a simpler level The Baby Brother Curse, Mu’s Wolf Problem and Farrah is not a Dalmatian were their top picks in the 2017 Bumble Catalogue.

OPPORTUNITIES

China offers South African Publishers a massive market. The bureaucracy requires patience but in general publishers will be looking at print runs of 6,000 – 100,000 copies and upwards with 80,000 considered a bestseller. Bumble has sold the Chinese (simplified characters) rights for Farrah is not a Dalmatian for a 20,000 copy print run. This is a far cry from Bumble’s 1000 print run in South Africa.

WORK ETHIC

Four of the five publishing houses we met were woman-owned with what I can only describe as a dynamic family atmosphere; employees are highly trained – graduates or post graduates – and were encouraged to communicate and present their roles to us. My over-riding impression was a strong team ethic, disciplined, hard-working and respectful with a pride in their product which is of the highest quality.

TAKE HOMES

Bumble Books is publishing and selling rights for South African written and illustrated children’s picture books that have relevance to foreign markets – China, Finland, Japan, Korea and Spain (Spanish and Catalan). From the Fellowship it was clear that there are other international like-minded publishers and Chinese publishers with whom South African publishers can network and trade to access far larger markets beyond South African retail.

By ROBIN STUART-CLARK

Storied

A new take on everything

Jacana Media’s life as a trade publisher began some 16 years ago in 2002. The brainchild of Maggie Davey who was joined by Bridget Impey, the publishing house has been making strong moves with regards to increasing diverse representation in the structure of the business, their list, their employees and even their funding models.

The Jacana Literary Foundation (JLF), started in 2011, is a not-for-profit organisation which seeks to promote and foster writing excellence from Africa by securing funding for key projects. The JLF works towards publishing literature that might not otherwise see publication for purely commercial reasons, thus allowing Jacana to produce literature which supports the concept of bibliodiversity.

At the end of 2012, Jacana created a platform for maverick publisher Melinda Ferguson to grow a new and exciting list of titles: MF Books Joburg. In 2015 Thabiso Mahlape launched her new book imprint BlackBird Books, in a similar fashion. BlackBird provides a platform and a publishing home to both the new voices and the existing generation of black writers.

Jacana’s latest initiative is Storied, which is also geared towards diversity and inclusivity, however, unlike imprints MF Books and BlackBird books, Storied is a separate publishing entity operating in partnership with Jacana Media.

The entity, capitalising on Jacana’s commercial experience in the South African publishing sector, hopes to reinvent the local creative writing and fiction sector through targeted financial investment and innovation. It will use Jacana’s extensive publishing experience and operational footprint to nurture South African voices and help them tell their stories.

“The 2017 Nielsen BookScan figures show that South Africa’s publishing landscape significantly favours non-fiction publishing, which presents an opportunity for Storied to capitalise on this gap. Storied has a first-to-market advantage because it will engage with the entire value chain in its publishing decisions and invest in the creative talent and voices that meet a long-ignored market segment and readership,” says campaign project manager Leabiloe Molapo.

Jacana Media recognises that non-fiction sales have outpaced fiction sales to the extent that publishers are increasingly making the commercial decision to publish increasingly more non-fiction. This is of significant concern to our society, given the vital role fiction plays in aiding meaningful social dialogue.

Perhaps the most interesting aspect of Storied is their funding model which is as innovative as it is young. Storied seeks to raise R3 million using Uprise Africa’s equity crowdfunding platform. An amount that will be directed towards growing the ecosystem that fiction needs to survive as well as the editorial, production and printing of its titles. Storied already has the advantage of having Jacana’s existing infrastructure, and formidable editorial, publishing and marketing teams at its disposal. The minimum investment is ZAR 1 200, and the campaign, which is running for 90 days has garnered some interest from investors.

“We are equity crowdfunding from investors. A Storied share costs R300. The minimum investment amount is R1 200 which buys you shares in the publishing company, Storied. We do caution investors that the returns that Storied promises are based on industry performance over the past five years. Our caveat is that: Storied is a social equity investment, with incredible potential social returns. Your Storied shares will be supporting writers and editors and building fiction publishing in South Africa.

There will be returns once the company begins to turn a profit – projected to be in 2021. Storied investors will see their returns in the books that Storied will publish; in the donations to libraries; and in the growth in the local fiction market.”

Visit www.uprise.africa and invest in Storied. Invest in African fiction.
Campaign page on Uprise.Africa: https://www.uprise.africa/view_pitch/storied
Campaign microsite: www.storied.co.za
https://mg.co.za/article/2018-02-09-00-the-fight-against-the-extinction-of-fiction

Nal’ibali

Driving literacy in SA

Nal’ibali, South Africa’s national reading-for-enjoyment campaign is built on the simple logic that a well-established culture of reading can be a real game-changer for education in South Africa.

As we well know, literacy skills are a strong predictor of future academic success in all subjects – and children who regularly read and hear engaging stories – in languages they understand – are well equipped and motivated to learn to read and write. A significant body of research reinforces the link between reading for pleasure and improved outcomes for children.

The campaign values the power of language and cultural relevance in literacy development. For reasons relating to empowerment, pedagogy, identity and democracy, Nal’ibali fully promotes reading and writing in mother tongue languages. All children and adults need to understand what they are listening to, or reading, for it to be meaningful and enjoyable – which is crucial for raising readers.

The good news is that many parents, caregivers and community-based organisations are already reading and telling stories to their children. Nal’ibali is about recognising and respecting the power and potential of these communities in literacy development. It is also about working to build a larger community of people across the country who are interested in and passionate about storytelling, reading and writing with children.

To help set caregivers up to read with their children in the new year, Nal’ibali has compiled a special calendar highlighting some of the major literacy activities taking place in 2018. Complete with instructions on how to collect the cut-out-and-keep storybooks included in each edition of the campaign’s multilingual supplement, it will also assist young or new readers to collect and build their own mini-libraries over the course of the year.

“We’re excited about this resource which we hope will help to promote a culture of reading-for-enjoyment in our country. Most South African families live beyond easy reach of a public library and very few households have their own collection of storybooks for children to read or choose from,” says Jade Jacobsohn, Managing Director at Nal’ibali. “By using the calendar as a guide, caregivers and teachers can help children collect 30 stories this year and create their own personalised story-powered book boxes to keep them in.”

To increase access to stories and literacy materials in different SA languages, Nal’ibali donates and delivers over 100 000 copies of its supplement to schools, libraries, reading clubs and fellow literacy organisations every second week during school term time. Members of the public can find copies in selected newspaper titles, or download them directly from the Nal’ibali website.

Created in partnership with the award-winning literacy organisation, PRAESA (the Project for the Study of Alternative Education in South Africa), the stories carried in the supplement are selected to promote and support South African authors and illustrators, and to expose children to a variety of different language and drawing styles. Stories are reproduced free of charge with special permission from the publishers and translated by PRAESA.  

Currently the supplement is published in six different language combinations including English-isiZulu, English-isiXhosa, English-Afrikaans and English-Sepedi, and this year the campaign is excited to be adding Xitsonga and Setswana to this list from April.

“There is a need for collective action in motivating SA children to read, and it needs to be consistent. However small adults and caregivers may think this simple activity is, regularly spending time reading and sharing stories with children can have a massive and cumulative impact – helping them to reach their life potential,” concludes Jacobson.

Another hugely successful initiative which Nal’ibali runs in SA is their version of World Read Aloud Day. Each year Nal’ibali commissions a brand-new story for the day and translates it into all 11 official languages, asking caregivers, schools, and communities to join them in reading it aloud to children in their home languages on the same day. Last year the campaign read aloud to almost 720 000 children and, in 2018, Nal’ibali read aloud to 1 294 345 children through its vast network of libraries, community centres and schools.

To encourage continued reading throughout the year, Nal’ibali will be awarding spot prizes of additional books in a range of SA languages to readers who share pictures of their growing libraries on its Facebook page and Twitter feed (@NalibaliSA).

Nal’ibali supplements can be found in the Tiso Blackstar newspapers listed below, or downloaded directly from the Nal’ibali website (www.nalibali.org) where copies of the calendar can also be accessed.

• KwaZulu-Natal and Gauteng: Sunday World – Sunday (English/isiZulu)
• Free State:  Sunday World – Sunday (English/Sesotho)
• Limpopo: Sunday World – Sunday (English/Sepedi)
• Western Cape – Sunday Times Express – Sunday (English/isiXhosa)
• Eastern Cape – Daily Dispatch –  Tuesday (English/isiXhosa)
• Eastern Cape – The Herald – Thursday (English/isiXhosa)

 www.nalibali.org