Are extravagant publisher stands at book fairs worthwhile?

Connoisseurs of publishers’ stands had plenty to feast their eyes on at the Abu Dhabi International Book Fair late last month. The styles varied enormously, from the National Centre for Documentation & Research which had a curved, Star Trek-like central pod, decorated in red and green neon, to a fabulous recreation of the Sheik Zayed Grand Mosque — the famous “white mosque” — with its many domes and minarets where titles about the building and its history were on display. Roger Tagholm ask the question on publishingperspectives.com: Are they worth it?

OverDrive and Sourcebooks to Launch Ambitious Ebook Data Experiment

OverDrive and Sourcebooks are preparing to launch an innovative and ambitious pilot program whose goal is to clearly demonstrate the impact library ebook lending has on book sales and author recognition. Read more on Library Journal.

When bookstore distribution collapses

Successful, large-scale print-on-demand publishing changes the (profitability of) distribution workflow for brick-and-mortar bookshops. A recent tour of the Ingram distribution and print-on-demand facilities in Nashville got one writer thinking: What happens if the physical bookstore ecosystem collapses? Read the full article on digitalbookworld.com

O’Reilly discontinuing TOC Publishing conferences

Tim O’Reilly of O’Reilly Media has announced that the company will discontinue its Tools of Change for Publishing conferences, the first of which was held in 2007. The reason for this? O’Reilly wrote: “we realized that a conference was no longer the best vehicle for us to contribute to publishing’s forward movement.” Read more on publishingperspectives.com

African books for African readers

Founded in 2009, Amalion Publishing is an up-and-coming house that only publishes books by African authors. Based in Dakar, Senegal, Amalion distributes its books across the African continent, which requires different strategies for Africa’s various regional and national markets. Amalion does fulfillment through its U.K. distributor. The one exception, however, is South Africa, which is “a hard nut to crack,” as he puts it.
Ambition to Crack. Read more on Publishingperspectives.com

Johannesburg’s Fourthwall

“Johannesburg is nobody’s idea of art central, but then again, outside of South Africa nobody really has a clue what’s going on in the city. However Johannesburg is home to the world famous artist William Kentridge and, since 2010, Fourthwall Books, an independent publisher “established to publish beautifully designed and written books on art and architecture.” In the short space of time since, editor Bronwyn Law-Viljoen and art director Oliver Barstow have produced a range of intriguing projects, while coming up with inventive ways of operating within the limitations of South Africa’s small publishing industry.” read more from Daniel Kalder’s in depth review on www.publishingperspectives.com

HarperCollins Audience Development Director Jim Hanas: Finding an Audience, Book-by-Book

The barriers to publishing a book and distributing it widely have come down, creating a renaissance in the world of self-publishing. While great for authors and ebook retailers, this sea change has created some problems for publishers.

Notably, some authors wonder why they need a publisher. While distribution into bookstores is the No. 1 reason authors value the services of a publisher, there are others, including quality editing and providing the kind of marketing muscle that large organizations can muster.

Read this fascinating article on www.dbw.com

Post-digital bookselling

HarperCollins is looking “beyond digital, post-digital” to explore ways its authors can be discovered by consumers. Speaking to Publishing Perspectives at the London Book Fair, David Roth-Ey, Executive Publisher, Fourth Estate and William Collins, said: “We’re looking at curating experiences around our books and imprints to build word of mouth. The problem with digital is discoverability. In the past, although you have publicity departments who do a good job, you would rely on bookshops to do much of this, to provide that discoverability.” Read more at www.publishingperspectives.com

Watertsones bags Dan Brown launch

Waterstones has bagged Dan Brown’s only UK event for Inferno, his first ever event in London.”An Evening with Dan Brown” will take place at Freemason’s Hall in London, with a capacity of 1,500 people, on Tuesday 21st May. Tickets will be priced £25 (including a copy of the book) and are now on sale.” Read more at www.thebookseller.com

Increased consumer focus at the LBF this week

An increased focus on the consumer; continuing experimentation to find the digital Holy Grail beyond straight ebooks; the velocity of change; and the by now almost traditional, chiefly off-the-record, concerns over the power of Amazon, are among issues concerning publishers attending the London Book Fair this week writes Roger Tagholm on www.publishingperspectives.com